When the call came, Detective Inspector Quinnell was sitting in the shadows of a tree at the edge of the topmost escarpment of the Light and Jennings’ Agricultural Lime and Bulk Chalk Quarry.
Far below, a man called Spider moved shakily through the lunar eeriness of the excavations, nervously playing a flashlight beam over the path his instinct had told him to follow. His other hand held a baseball bat. Quinnell watched him turn a bend and stop. Something had given Spider pause, an ambiguity in the torch-lit future. He stood still. Without taking his eyes from the shape, he shouted, “Whoever you are, you’re f_ing mental – you nearly killed us both.”
Quinnell wheezed happily to himself. Forcing two fingers into his trouser pocket he turned off the mobile. It was time to inflict some pain.
Steppenwolf is the second track on Hawkwind’s 1976 album, Astounding Sounds, Amazing Music. The album marks a point of transition for the band. Bassist, Lemmy was gone and vocalist/ poet, Robert Calvert was back. There are space-rock wigouts in evidence, but songs like Back on The Streets point the way to the band’s taughter, more angular future. You can listen to Steppenwolf here.
No travelogue today. Too tired.