Part two of my recent chat with David Cook…please click below…

London Eyeball

Lights VII – A Shadow, 1974

Part Two of my conversation with Richard Guest about Michael Andrews. Part One here.

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David: One thing Michael Andrews does not do is clearly set out his intention. I don’t think he has a program which is one of the reasons he appeals to me. The fusion of contemporary imagery (often through photographs), with a painterly surface and traditional, directly observed drawing further masks his thought process.

The Lights series is not really a series in a strict sense, but it is linked by the balloon viewpoints. This sensation of floating above things clearly appealed to him – of apprehending a very wide and distant view with nothing in the way and having a god-like clarity.  Lights VII seems to have the composition and handling of a Rothko, and the palette and light of a Corot. Abstract Expressionism…

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