Part three of a conversation about Jasper Johns with David Cook

London Eyeball

key 50 Jasper Johns: ‘Fools House’ (1961-2)

A couple of months ago Richard Guest and I visited the Jasper Johns exhibition ‘Something Resembling Truth’ at the Royal Academy in London. Then we exchanged emails about it, and this is the result.
* * * *

Richard:
Those are great quotations; I think he’s being honest, and they explain the work’s strength and its durability – the paintings have no fixed meaning and Johns never sought to impose one. I like the idea that the artist paints, writes, draws, records etc in the way they are able, because they have to (get something out there).

Yes, I think the key to the work’s appeal is its sensual quality – the images are seductive, in part because of their texture, because the hand of the artist is visible. And the tension between the concept and Johns’ intuitive delivery…

View original post 685 more words

Advertisements