Archives for posts with tag: Contemporary digital art
Winter II, digital construct, dimensions variable, 2020

So, here are the final two digital constructs using other people’s marks to date. Frustrations seem to drive the work at the moment – I got to the point where other people’s marks could only go so far in a colour composition without the need for gross distortion (which would render the marks and objects somehow meaningless), so I stopped using them.

In the present phase I’ve been raiding my own pictures for marks. You can see the process creeping in in Winter II – there’s a section of my painting Psst! (Orange) in the top right quadrant.

Ropemaker A, digital construct, dimensions variable, 2020

If I could set a soundtrack to these images it would probably be something by John Dwyer. I’ve written about Thee Oh Sees on this blog before, but his other “band” Damaged Bug is just as good, but with a more experimental, electronic edge. Here’s the rather lovely Jet In Jungle.

And here’s where I went next…

Half Broke Horses, digital construct, dimensions variable, 2020

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If you are interested in seeing more digital constructs, there are a lot of them on this blog or you can visit my Instagram here or my website here.

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In early October 2019 David Cook and I visited Peter Doig: Paintings at Michael Werner, and Cy Twombly: Sculpture at Gagosian, both in London. Afterwards, we discussed the shows by email. You can read the resulting conversation starting here.

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Set Me Free, 2014
The Tinderbox, 2014
Blue Trench study, 2020
Landscape study (081219), digital composite, dimensions variable, 2019

Here are some elements of new works in progress. The paintings are details from a series based on earthworks and have all been tipped on their sides. The photographs are all of parts of Dorset as seen from a train window. As of fairly recently I have started using elements of my own paintings in my digital constructs.

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And here is a finished digital construct…available as a C-Type photographic print on archival paper from my Big Cartel shop. For a more comprehensive description and for shipping details click here.

The Man Who Looked Like The Other Man, 2020

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If you are interested in seeing more digital constructs, there are a lot of them on this blog or you can visit my Instagram here or my website here.

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In early October 2019 David Cook and I visited Peter Doig: Paintings at Michael Werner, and Cy Twombly: Sculpture at Gagosian, both in London. Afterwards, we discussed the shows by email. You can read the resulting conversation starting here.

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Landscape study (171119), digital composite, dimensions variable, 2019

At the moment I’m working with tensions – painting, drawing and digital constructs are feeding into one another with no clear path as to which is the dominant or most important form.

T-2, acrylic paint on paper, 42 x 29.7 cm, 2020

T-2 shot here on our beaten up old dining table. With source drawing below.

Sketchbook page, pencil on paper, 2019

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If you are interested in seeing more digital constructs and paintings as well as street photography (including portraits), visit my Instagram here or my website here.

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Winter I, digital construct, dimensions variable, 2019

Winter I (above) is another of the new digital constructs I’ve been working on. I’m having fun with their evolution – more posts soon – and at the same time have started working on paintings that have the shape of landscape as their starting point (T-1 pictured below on our knackered dining table).

T-1, acrylic paint on paper, 42 x 29.7 cm, 2020

Again, more to come…

The Paul mentioned in the title below is Paul Letchworth, a painter I was on Foundation with way back in the mists of time – his work’s lovely and you can see it on his website here. Hello Paul!

Landscape study (281119) for Paul, digital composite, dimensions variable, 2019

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If you are interested in seeing more digital constructs and paintings as well as street photography (including portraits), visit my Instagram here or my website here.

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Street Portrait (for and of Yozmit), 2013/ 2020

In the last few days I’ve been experimenting with converting portaits I originally presented in colour on TFIPM to black and white. This was partly to test Ted Grant’s adage. Above is the new processed main portrait of Yozmit, and below the original.

Street Portrait (for and of Yozmit), 2013

Back in 2013 I must have preferred the colour version as a true representation of Yozmit’s style. Today I like the inkiness of the new version.

The original post featuring Yozmit can be found here.

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Landscape study (271019), digital composite, dimensions variable, 2019

Around 2013 I wanted to show my portraits alongside abstract paintings. For all sorts of reasons (one being I didn’t know that many abstract painters) it didn’t happen, so I started trying to imagine and make the kind of abstracts that might work with street portraits. Seven years later, I think I’m beginning to find stuff.

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Untitled painting sketch, 2019

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If you want to see other work, visit my Instagram here or my website here.

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Landscape study (101119), digital composite, dimensions variable, 2019

Happy New Year to everyone who has supported TFIPM by reading, liking or commenting!

The intention for 2020 is to make this blog more like an online sketchbook, so along with the finished works and art conversations with David Cook, I’ll be posting ideas, sketches, diaristic photographs and portraits. Not sure of the exact format, but here we go…

The above is another example of my renewed interest in digital work – I seem to have strayed into the landscape format good and proper. There are paintings in the works as well.

In the meantime, here are a couple of photographs from just after New Year in Brighton, UK…

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If you want to see other work, visit my Instagram here or my website here.

All best wishes!