Archives for posts with tag: Digital Construct
Art Flyweight III, Giclée Print
297 x 420mm
2020

Art Flyweight III is constructed from elements of improvised sketchbook drawings and paintings made in 2022 and brought together to form a new digital image. One crucial difference from other digital constructs in this phase is the use of felt tip pens. More cartoon-like images came out – as a teenager my dream job was comic artist.

The title is a joke about status in the art world and simultaneously sounds I think like the name of a fictional collector.

Art Flyweight III is printed with Lucia Ex Pigment on Hahnemühle Agave 290gsm paper in an edition of 200 and is available to buy in my shop: richardguest.bigcartel.com

Dirt Giclée Print
297 x 420mm
2020

So, Dirt…Dirt is constructed from elements of improvised sketchbook drawings and paintings I made on paper and canvas and brought together to form a new digital image in 2022.

It’s one of a series of digital constructs – a technique I’m still drawn to using – that began years ago. The original idea was to combine the spontaneity of Expressionism with the particular limits of digital tools.

What I like about the technique is the surprise effects that happen when you juxtapose paint and pencil marks from different sources. In this image I can see animals.

Dirt is on sale as a print in my shop: richardguest.bigcartel.com

Printed with Lucia Ex Pigment by Canon on Hahnemühle Agave 290gsm paper by Klein Imaging in Manchester in an edition of 200. Each print is accompanied by a certificate of authenticity.

The Last Time I Saw You (2020)

Hello all! Over on Instagram I have just launched a competition…To celebrate the launch of my print shop I thought we could play a naming game…

The first three images to be made available in the shop are (in order of appearance on the Instagram post), The Last Time I Saw You (2020), Event Site (for MJ Harrison) (2022), and Who Do You Do (2022). I’m not massively happy with the first title, so I’ll be giving away a limited edition print worth £70 to the person who can come up with the best alternative title for The Last Time I Saw You (that’s the landscape image) in the Instagram post comments for the next week or so.

The winner wins a print of the image of their choice.
The judge’s decision is entirely subjective, completely unfair and final. The winner will be announced in two week’s time.

About the prints:
All three images are printed with Lucia Ex Pigment by Canon on Hahnemühle Agave 290gsm paper by Klein Imaging in Manchester in an edition of 200. Each print is accompanied by a certificate of authenticity. Prints can be ordered from my shop (link in description, please do, etc) and can be shipped worldwide.
Every couple of months I’ll be launching a new print, so let me know if there’s something you see in my feed you would particularly like to see as a print! Thanks all!

Who Do You Do (2022)

Winter II, digital construct, dimensions variable, 2020

So, here are the final two digital constructs using other people’s marks to date. Frustrations seem to drive the work at the moment – I got to the point where other people’s marks could only go so far in a colour composition without the need for gross distortion (which would render the marks and objects somehow meaningless), so I stopped using them.

In the present phase I’ve been raiding my own pictures for marks. You can see the process creeping in in Winter II – there’s a section of my painting Psst! (Orange) in the top right quadrant.

Ropemaker A, digital construct, dimensions variable, 2020

If I could set a soundtrack to these images it would probably be something by John Dwyer. I’ve written about Thee Oh Sees on this blog before, but his other “band” Damaged Bug is just as good, but with a more experimental, electronic edge. Here’s the rather lovely Jet In Jungle.

And here’s where I went next…

Half Broke Horses, digital construct, dimensions variable, 2020

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If you are interested in seeing more digital constructs, there are a lot of them on this blog or you can visit my Instagram here or my website here.

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In early October 2019 David Cook and I visited Peter Doig: Paintings at Michael Werner, and Cy Twombly: Sculpture at Gagosian, both in London. Afterwards, we discussed the shows by email. You can read the resulting conversation starting here.

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Here are some elements of new works in progress. The paintings are details from a series based on earthworks and have all been tipped on their sides. The photographs are all of parts of Dorset as seen from a train window. As of fairly recently I have started using elements of my own paintings in my digital constructs.

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And here is a finished digital construct…available as a C-Type photographic print on archival paper from my Big Cartel shop. For a more comprehensive description and for shipping details click here.

The Man Who Looked Like The Other Man, 2020

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If you are interested in seeing more digital constructs, there are a lot of them on this blog or you can visit my Instagram here or my website here.

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In early October 2019 David Cook and I visited Peter Doig: Paintings at Michael Werner, and Cy Twombly: Sculpture at Gagosian, both in London. Afterwards, we discussed the shows by email. You can read the resulting conversation starting here.

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Landscape study (171119), digital composite, dimensions variable, 2019

At the moment I’m working with tensions – painting, drawing and digital constructs are feeding into one another with no clear path as to which is the dominant or most important form.

T-2, acrylic paint on paper, 42 x 29.7 cm, 2020

T-2 shot here on our beaten up old dining table. With source drawing below.

Sketchbook page, pencil on paper, 2019

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If you are interested in seeing more digital constructs and paintings as well as street photography (including portraits), visit my Instagram here or my website here.

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Winter I, digital construct, dimensions variable, 2019

Winter I (above) is another of the new digital constructs I’ve been working on. I’m having fun with their evolution – more posts soon – and at the same time have started working on paintings that have the shape of landscape as their starting point (T-1 pictured below on our knackered dining table).

T-1, acrylic paint on paper, 42 x 29.7 cm, 2020

Again, more to come…

The Paul mentioned in the title below is Paul Letchworth, a painter I was on Foundation with way back in the mists of time – his work’s lovely and you can see it on his website here. Hello Paul!

Landscape study (281119) for Paul, digital composite, dimensions variable, 2019

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If you are interested in seeing more digital constructs and paintings as well as street photography (including portraits), visit my Instagram here or my website here.

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Living in the Gaps (Landscape study), digital construct, dimensions variable, 2019

As some of you may know, I’m a fan of the group, The Fall, whose chief creator Mark E Smith sadly died in January 2018. This post is named after a 7″ single which was released by the group in 1982. The image above has nothing to do with The Fall, except I suppose tangentially – I’ve listened to them so much their aesthetic must have seeped into my process somewhere…

The painting below on the other hand I did “for MES” – it didn’t start out that way, but it as it neared completion it seemed to fit…anyway…

Painting for MES, 2018, Acrylic paint and watercolour pencil on canvas, 80 x 80 cm

Diary Images

Spend so much of my time looking down nowadays…these were both taken in London in the first week of the year.

3rd January 2020
3rd January 2020

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Patti Fogarty

I’d like to dedicate this post to Patti Fogarty, who was a brilliant street photographer, portraitist and blogger (and one of the first people I “met” on WordPress). Her photographs were really something else – a celebration. I miss them and I miss her presence online. There’s a very nice tribute to Patti on Monochromia and you can see her work on her blog Nylon Daze.

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If you want to see other work, visit my Instagram here or my website here.

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Landscape study (051119), digital composite, dimensions variable, 2019

A couple more examples…in a break from using images of Dorset, the background of the second image is Croydon Road Recreation Ground in Beckenham (where David Bowie performed at the Beckenham Arts Lab Growth Summer Festival in 1969).

Abandoned Bandstand, digital construct, dimensions variable, 2019
Attempt, acrylic on canvas, 90 x 90 cm, 2019

For the next paintings I tried to move as far away from imagery as possible – where a shape suggested an object I painted it out, and waited for other shapes to suggest themselves. The idea was to make paintings which did not reference anything except the urge to make a mark and balance a colour composition.

The drawings followed a similar pattern.

And became a more regular output. For all sorts of reasons I needed to make smaller works and started thinking again about digital constructs…

Landscape study (241119), digital composite, dimensions variable, 2019

More in the next post…