Mark E Smith | The Future Is Papier Mâché

Living in the Gaps (Landscape study), digital construct, dimensions variable, 2019

As some of you may know, I’m a fan of the group, The Fall, whose chief creator Mark E Smith sadly died in January 2018. This post is named after a 7″ single which was released by the group in 1982. The image above has nothing to do with The Fall, except I suppose tangentially – I’ve listened to them so much their aesthetic must have seeped into my process somewhere…

The painting below on the other hand I did “for MES” – it didn’t start out that way, but it as it neared completion it seemed to fit…anyway…

Painting for MES, 2018, Acrylic paint and watercolour pencil on canvas, 80 x 80 cm

Diary Images

Spend so much of my time looking down nowadays…these were both taken in London in the first week of the year.

Patti Fogarty

I’d like to dedicate this post to Patti Fogarty, who was a brilliant street photographer, portraitist and blogger (and one of the first people I “met” on WordPress). Her photographs were really something else – a celebration. I miss them and I miss her presence online. There’s a very nice tribute to Patti on Monochromia and you can see her work on her blog Nylon Daze.

If you want to see other work, visit my Instagram here or my website here.

Painting for MES, 2018, Acrylic paint and watercolour pencil on canvas, 80 x 80 cm

This painting is dedicated to Mark E Smith of The Fall. It was begun when he was ill and while I was working on it he died. There’s no real connection to Mark in either idea or execution (except of course that The Fall have been playing in the background since 1983 when a friend lent me Perverted By Language).

The only time I met MES was at a mini-gig at the HMV on Oxford Street in London to launch the album The Frenz Experiment. The group played a short set and then sat behind desks signing albums for the fans. Mark was friendly and polite (which was a surprise given that the music press portrayed him as a kind of fierce, cantankerous despot).

The Frenz Experiment (front cover)

The Frenz Experiment (back cover)

Over the years I’ve grown to love The Fall and Mark’s gnarled, dazzling poetry – from their first album, Live At The Witch Trials (1979) to their last New Facts Emerge (2017) there have been very few duds (although if you’re thinking of collecting their albums, steer clear of the live albums and compilations until you’re well and truly obsessed). And Mark E Smith went out as brilliant as he came in – the final album’s a stunning culmination, along with Sublingual Tablet (2015), of his work with Dave Spurr, Keiron Melling, Peter Greenway and Elena Poulou – a golden run of albums that started in 2008.

When I’m dead and gone
My vibrations will live on
In vibes not vinyl through the years
People will dance to my waves

Mark E Smith, Psykick Dancehall (thanks to The Annotated Fall)

If you are interested in learning more about The Fall a great place to start is The Fall Online Forum.